Bone House by Marty Chan

An audience comes to hear a lecture about serial killers. Self-proclaimed mind hunter, Eugene Crowley, recreates gruesome murders to convince the audience that a serial killer is on the loose. As the lecture progresses, the audiences suspects Crowley might actually be the killer himself. But before they can act, members of the audience are shuffled throughout the lecture hall so that they sit beside strangers. Crowley presents his final proof, an inkblot that the audience must scrutinize for a full minute. The lights are turned off and the negative image of the inkblot forms the face of the killer. However, in the blackout, the true killer makes his presence known and proceeds to eviscerate Crowley, leaving the audience’s imaginations to create the picture to go along with the sounds and sensations in the dark. This play is a psychological experiment about the nature of fear, imagination, and deification of serial killers.